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View Full Version : Self Publishing: Things to Look For, Part 3


rbaggins
06-20-2007, 06:05 PM
This article contains information for those who decide to self publish their own book. There are certain things that should be included in the package offered. It is the last of three articles.

We discussed eight things in the previous two articles to look for in a self-publishing package. This article completes that train of thought.

Ninth: Is editing included in the package? Most of us would like to assume that our final manuscript is flawless—after all, we have personally read through it twenty times, maybe more. The manuscript probably needs some help, however, based on a couple of things. For one, the more we read something, the less objective we become. We are less able to see the errors in grammar, structure or spelling each time we read it. You need an objective eye to look over the manuscript. Also, this is your "baby." As such, it is easy to become protective and even defensive of any critical comments a person may make about it. After all, you would fight to the death anyone who said something bad about your child. The same is true here. Most self-publishing packages do not offer editing as a part of the deal; if they do, expect to pay about fifteen cents per word for a good edit. You also need to educate yourself on the different levels of editing, i.e. copy edit, proof reading, etc. Each one seeks to accomplish a different result. At the least, find an English professor from the community college in your area and let them look it over. Offer them a copy of the finished book as a token of appreciation. Finally, you may choose to find an editor who does not work with the publishing company. Many freelance editors can be found on various writing based websites. It is money well spent. The last thing you want is to give a copy of your book to someone, only to discover that it has errors that could easily have been prevented with a good editing job.

Tenth: Are graphics included with your contract? Depending on the genre, your book may not require graphics. But, if you would like to include a chart, or a photograph, make sure you know what is included—and what is not. Most companies will include a limited amount of graphics within the package. If you need to add more, it will cost you, but is usually reasonable. You will also be required to get the scanned graphics to the publisher, using the protocol they require for submission. This will vary from publisher to publisher. Most print-on-demand graphics are only done in gray scale. If you want color, do the extra research required before choosing your publisher.

Eleventh: Is the copyright of your book included? If not, this can easily be done by going to the U. S. copyright's website and submitting copies of the book and the fee. The fee is less than $50 per title. Realize that the moment you publish your book, it is considered copyrighted material. If you are concerned about copyright infringement, make sure yours if legally copyrighted, either through the services your publisher provides or by doing it yourself.

Twelfth: What types of promotional materials are included in the package you choose? Mass emails are generally ineffective. Media outlets receive them by the thousands—every day. Press releases are helpful, if you have a good one. Posters and bookmarks may help you to personally market your book; it is your call. All of these things are normally included (at a price) with your package. Read the fine print and do some research in your area with other self-published authors and find out what works—and what does not. There are other creative ways as well to help create a buzz about your book. Remember, you want to start local and work from there. You never know, you might just have a best seller on your hands.

lynnmosher
07-16-2007, 08:07 PM
Thank you for all your hard work in writing these articles. It is much appreciated.

Lynn

artangent
08-01-2007, 04:00 AM
Writing as the third progression of studies. The first is Listening, the second is Reading, the fourth is Speaking.

Nessa-Ciryatan
08-04-2007, 07:37 AM
Uh... regarding point eleven: Copyright exists the moment you write anything, NOT "once it's published". Here's a good quote from author Holly Lisle's writer's website (http://www.hollylisle.com/fm/Articles/faqs2.html):

Rights are what publishers, movie-makers, book clubs, and so on, buy (actually lease) from you on your book. When you sell your book, you are not actually selling the book. You are selling to the publisher his right to publish that book in a limited format for a limited amount of time, and the more you can control the limits, the better off you'll be. Standard rights sales for books permit the publisher to print the book in your country, or perhaps in the region that speaks the same language as you wrote it in. Foreign language rights are separate, and a good agent will help you hang on to them. Movie rights are separate, and again, a good agent will help you keep them. Internet publication rights, compilation rights, book club rights, all of these are rights that BELONG TO YOU from the second that you write the book. They are YOURS, they are WORTH MONEY, and there are unscrupulous publishers out there who would just love to grab them all up in one neat little "World rights, all formats, for all time" clause that essentially robs you of ever being able to resell them, while telling you that the sale of world rights is standard. It isn't. It isn't even close to standard.
Of interesting note in there is the topic: How much do I pay a publisher to publish my book? (http://www.hollylisle.com/fm/Articles/faqs2.html)